From the Pulitzer Prize finalist and National Book Critics Circle Award-winning author of Newjack," " an absorbing book about roads and their power to change the world.
Roads bind our world--metaphorically and literally--transforming landscapes and the lives of the people who inhabit them. Roads have unparalleled power to impact communities, unite worlds and sunder them, and reveal the hopes and fears of those who travel them.
With his marvelous eye for detail and his contagious enthusiasm, Ted Conover explores six of these key byways worldwide. In Peru, he traces the journey of a load of rare mahogany over the Andes to its origin, an untracked part of the Amazon basin soon to be traversed by a new east-west route across South America. In East Africa, he visits truckers whose travels have been linked to the worldwide spread of AIDS. In the West Bank, he monitors highway checkpoints with Israeli soldiers and then passes through them with Palestinians, witnessing the injustices and danger borne by both sides. He shuffles down a frozen riverbed with teenagers escaping their Himalayan valley to see how a new road will affect the now-isolated Indian region of Ladakh. From the passenger seat of a new Hyundai piling up the miles, he describes the exuberant upsurge in car culture as highways proliferate across China. And from inside an ambulance, he offers an apocalyptic but precise vision of Lagos, Nigeria, where congestion and chaos on freeways signal the rise of the global megacity.
A spirited, urgent book that reveals the costs and benefits of being connected--how, from ancient Rome to the present, roads have played a crucial role in human life, advancing civilization even as they set it back.

In Ted Conover's first book, now back in print, he enters a segment of humanity outside society and reports back on a world few of us would chose to enter but about which we are all curious.

Hoboes fascinated Conover, but he had only encountered them in literature and folksongs. So, he decided to take a year off and ride the rails. Equipped with rummage-store clothing, a bedroll, and a few other belongings, he hops a freight train in St. Louis, becoming a tramp in order to discover their peculiar culture. The men and women he meets along the way are by turns generous and mistrusting, resourceful and desperate, philosophical and profoundly cynical. And the narrative he creates of his travels with them is unforgettable and moving.

Irreverent, poignant, and revealing, this meditation on the sweet temptation of wealth and the vainglorious quest for paradise as they exist in Aspen, Colorado, features a "cast of characters (that) includes such barn-size satirical targets as exclusive health clubs, over-the-hill drug dealers and movie stars and rock stars of wattages bright and dim" (The New Republic).

Over three and a half decades, Ted Conover has ridden the rails with hoboes, crossed the border with Mexican immigrants, guarded prisoners in Sing Sing, and inspected meat for the USDA. His books and articles chronicling these experiences, including the award-winning Newjack: Guarding Sing Sing, have made him one of the premier practitioners of immersion reporting. In immersion reporting a literary cousin to ethnography, travel writing, and memoir the writer fully steps into a new world or culture, participating in its trials, rites, and rituals as a member of the group. The end results of these firsthand experiences are familiar to us from bestsellers such as Nickel and Dimed and Behind the Beautiful Forevers. But in a world of wary strangers, where does one begin? Conover distills decades of knowledge into an accessible resource aimed at writers of all levels. He covers how to "get into" a community, how to conduct oneself once inside, and how to shape and structure the stories that emerge. Conover is also forthright about the ethics and consequences of immersion reporting, preparing writers for the surprises that often surface when their piece becomes public. Throughout, Conover shares anecdotes from his own experiences as well as from other well-known writers in this genre, including Alex Kotlowitz, Anne Fadiman, and Sebastian Junger. It's a deep-in-the-trenches book that all aspiring immersion writers should have in hand as they take that first leap into another world.

The compelling adventure of a young writer who poses as a Mexican wetback to discover the hardships, fear and camaraderie of illegal aliens crossing the border to work in the United States.

After he was denied access to report on Sing Sing, one of America's most notorious high security jails, journalist Ted Conover applied to become a prison guard. As a rookie officer, or 'newjack', Conover spent a year in the unpredictable, intimidating and often violent world of America's penal system. Unarmed and outnumbered, prison officers at one of America's toughest maximum security jails supervise 1,800 inmates, most of whom have been convicted of violent felonies: murder, manslaughter, rape. Prisoners conceal makeshift weapons to settle gang rivalries or old grudges, and officers are often attacked or caught in the crossfire. When violence flares up in the galleries or yard an officer's day can go from mundane to terrifying in a heartbeat. Conover is an acclaimed journalist, known for immersing himself completely in a situation in order to write about it. With remarkable insight, Newjack takes the reader as close to experiencing life in an American prison as any of us would ever want to get. It's a thrillingly told account of how the gruelling world of the prison system brutalizes all who enter it - prison guards and prisoners alike.

Journalism in the twentieth century was marked by the rise of literary journalism. Sims traces more than a century of its history, examining the cultural connections, competing journalistic schools of thought, and innovative writers that have given literary journalism its power. Seminal examples of the genre provide ample context and background for the study of this style of journalism.